Oil on linen
40 x 60” (101.6 x 152.4 cm)
SSp83 05
Iris & B. Gerald Cantor Center for Visual Arts, Stanford University
Public Collection: Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Stanford, CA
Book: Scully, Sean, “La Surface Peinte”, Daniel Lelong Editeur, Paris, 2008 (color illus.) Monograph: Poirier, 98, plate 64 Book (limited edition): “Sean Scully”, Ingleby Gallery, Edinburgh, 2005, (color illus. 13) Monograph: Carrier, David. “Sean Scully”, Thames and Hudson Ltd, London, 2004, pg. 110 (colorplate), 112, 152 Periodical interview: Zutter, Jörg, “Sean Scully”, artonview, No. 38, Winter 2004, National Gallery of Australia, p. 19 Monograph: Hennig, Karin, “Sean Scully”, Künstler. Kritisches Lexikon der Gegenwartskunst, Weltkunst un Bruckmann (WB) Verlag, München, Ausgabe 54, Heft 15, 2. Quartel 2001, p. 4, 5 (color illus.) Periodical article: Higgins, Judith. “Pushing Back”, ARTnews, April 1997, p. 126 Periodical article: Higgins, Judith. “Sean Scully and the metamorphosis of the stripe”, ARTnews, Nov 1985, p. 108, 110 (colorplate) Exhibition Cat. Sean Scully. Fundacio Joan Miro: July 28th - Sept 30, 2007.Thames and Hudson, 2007.pg.52. Cantor Arts Center Journal Volume 4 04’-05’ Iris and B. Gerald Cantor Center for Visual Arts: Stanford University. C. 2007 p. 80 Colorplate Exhibition Catalogue: “Sean Scully. The Evocative Capacity of Painting.” Wooson Gallery, Daegu, South Korea, 5 October 2012 – 30 January 2013. © Texts by Lorand Hegyi ‘Painting is the Thing Itself’. Page 6. Exhibition Catalogue: “Sean Scully. Twenty Years, 1976-1995” High Museum of Art / Thames and Hudson, Atlanta, 1995. Texts by Ned Rifkin, Victoria Combalia, Lynne Cooke and Armin Zweite. Colorplate 19. Sean Scully: Works from the 1980’s exhibition catalogue published by Czernin Verlag-Vienna, Austria, 2010, VISUAL Centre for Contemporary Art & the George Bernard Shaw Theatre, Carlow, Ireland, Feb 5-Apr 1, 2010 and Leeds Art Gallery, Leeds,England, May 27-Aug. 8, 2010. Edited by Tanja Pirsig-Marshall, Leeds with essays by Tanja Pirsig-Marshall ‘I just try to make them be as much as they can be’ Works from the 1908’s, Arthur C. Danto ‘Sean Scully and the Art of Painting’ and Armin Zweite ‘To humanize abstract painting’ Reflections on Sean Scully’s “Stone Light.” Page 36 (colorplate 7) Monograph: “Sean Scully. Resistance and Persistence: Selected Writings” Merrell Publishers, London, 2006. Texts by Sean Scully, Florence Ingleby, ed. English. Page 58. Exhibition catalogue: Sean Scully: The Catherine Paintings. Bielefeld, Germany Jul. 30- Sept. 24, 1995. Published by Kunsthalle Bielefeld, 1995. Texts by Hans-Michael Herzog ‘The Catherine Paintings in Bielfeld’, Hans-Michael Herzog in conversation with Sean Scully ‘The Beauty of the Real’. (ENG, GER) Page 67. (Colorplate)