Oil on linen
40 x 60” (101.6 x 152.4 cm)
SSp03 08
INV: Mooseurach Studio, Königsdorf, Germany (Date in: Dec 7, 2009)
Private Collection: Sean Scully, Mooseurach Studio, Königsdorf, Germany
"Sean Scully. Die Architektur der Farbe / The Architecture of Color," Kunstmuseum Liechtenstein, Liechtenstein, Vaduz. March 10 – May 21, 2006. Curated by Uwe Wieczorek., 2006
View exhibition“Sean Scully: Paintings and Works on Paper,” Sara Hilden Art Museum, Tampere, Finland, 13.9.2003 - 15.2.2004 (c), 2003
View exhibition“Sean Scully Body of Light”, National Gallery of Australia, Canberra, Australia, July 23 - Oct 10, 2004 (c), 2004
View exhibition“Sean Scully. The Architektur der Farbe / The Architecture of Color.” Kunstmuseum Liechtenstein, Vaduz, 10 March - 21 May 2006 (c), 2006
View exhibitionPeriodical interview: Zutter, Jörg, “Sean Scully”, artonview, No. 38, Winter 2004, National Gallery of Australia, p. 14 (colorplate) Monograph: “Kunstwerkstatt Sean Scully”. Prestel Verlag, Munich, Germany, 2009. Texts by Helmut Friedel. German. Page 44. (Colorplate) Exhibition catalogue: Sean Scully: Body of Light. National Gallery of Australia, Jul. 23- Oct. 10, 2004. Published by National Gallery of Australia, Jan. 28, 2005. Texts by Brian Kennedy ‘Foreword’ and ‘The Art of Sean Scully: A Human Spirituality’, Jorg Zutter ‘Interview with Sean Scully’, Timo Vuorikoski ‘Sean Scully: A Feminine Macho’, Arthur C. Danto ‘Sean Scully and the Art of Painting’, Jurgen Habermas ‘A Modernism that Turned into a Tradition: Glosses and Associations’, Donald Kuspit ‘Nuance and Intensity in Sean Scully: Humanism in Abstract Disguise’, Shaune A. Lakin ‘Walls and Fields: Sean Scully’s Wall of Light Desert Day 2003’. Page 127. (Colorplate) Exhibition Catalogue: “Sean Scully” Sara Hilden Art Museum, Tampere, 2003. Texts by Timo Vuorikoski, Donald Kuspit and Jurgen Habermas. English/Finnish/German. Colorplate. Page 125.