Morocco
1969
Acrylic on canvas
72 x 144 in. (182.9 x 365.8 cm.)
SS251
1969
Acrylic on canvas
72 x 144 in. (182.9 x 365.8 cm.)
SS251
Exhibition Catalogue: Fehér, Dávid. “Behind the Wall: Figures and Grounds in the Art of Sean Scully,” in Sean Scully. A Wound in a Dance with Love (Bologna: Edizioni MAMbo, 2022), 54.
Exhibition Catalogue: Fehér, Dávid. “Behind the Wall: Figures and Grounds in the Art of Sean Scully,” in Sean Scully: Passenger – A Retrospective (Budapest: Museum of Fine Arts – Hungarian National Gallery, 2020), 28.
Exhibition Catalogue: Rub, Timothy. “Sean Scully: The Shape of Ideas,” in Sean Scully: The Shape of Ideas (New Haven: Yale University Press, 2020), 20.
Monograph: Voigt, Kirsten and Sean Scully. “On the Relation Between Painting and Sculpture,” in Sean Scully | Sculpture (Berlin: Hatje Cantz Verlag, 2019), 125, 331.
Book: Grovier, Kelly (Ed.). Sean Scully. Bricklayer of the Soul: Reflections in Celebration (Ostfildern: Hatje Cantz Verlag, 2015), 24-25.
Exhibition Catalogue: “Sean Scully: Light of the South.” TF Editores, Madrid, 2012. Pg. 18.
Monograph: Carrier, David. “Sean Scully”, Thames and Hudson Ltd, London, 2004. Pg. 54, 55 (colorplate), 68, 72, 88, 95, 98, 165.
Biennial Catalogue: “Cities,” 25th Sao Paolo Biennial, Special Exhibitions: Ireland curated by Helmut Friedel and Alfons Hug, Sao Paolo, Brazil, 2002. Pg. 394.
Monograph: Maurice Poirier. “Sean Scully,” Hudson Hill Press, New York, 1990. Pg. 16, 17, 97, plate 3.
Periodical Article: Adams, Brooks. “The Stripe Strikes Back,” Art in America, October 1985. Pg. 119 (colorplate).