Oil on linen
40 x 60” (101.6 x 152.4 cm)
SSp89 04
INV: NY Studio, New York, NY (Oct 7, 2010)
Private Collection: Sean Scully, New York, NY (October 2010)
"Sean Scully: The Eighties," Mnuchin Gallery, New York, NY. September 13 – October 22, 2016., 2016
View exhibitionBook: Scully, Sean, “La Surface Peinte”, Daniel Lelong Editeur, Paris, 2008 (color illus.) Exhibition Cat. Sean Scully. Fundacio Joan Miro: July 28th - Sept 30, 2007.Thames and Hudson, 2007.pg 60. Poirier, 162, plate 134 Periodical article/transcript of lecture: Scully, Sean. “Sean Scully Conferencia en la Coleccion Phillips, Washington DC, 2005”, Arte y Parte, Santander, Spain, No. 67, Feb/Mar 2007, p. 59 (colorplate) Monograph: Carrier, David. “Sean Scully”, Thames and Hudson Ltd, London, 2004, pg. 128, 129 (colorplate) Periodical interview: Zutter, Jörg, “Sean Scully”, artonview, No. 38, Winter 2004, National Gallery of Australia, p. 17 Periodical article: Bevan, Roger. “Abstract”, Antique and New Art, Winter 1990, p. 139 Exhibition catalogue: Sean Scully: Body of Light. National Gallery of Australia, Jul. 23- Oct. 10, 2004. Published by National Gallery of Australia, Jan. 28, 2005. Texts by Brian Kennedy ‘Foreword’ and ‘The Art of Sean Scully: A Human Spirituality’, Jorg Zutter ‘Interview with Sean Scully’, Timo Vuorikoski ‘Sean Scully: A Feminine Macho’, Arthur C. Danto ‘Sean Scully and the Art of Painting’, Jurgen Habermas ‘A Modernism that Turned into a Tradition: Glosses and Associations’, Donald Kuspit ‘Nuance and Intensity in Sean Scully: Humanism in Abstract Disguise’, Shaune A. Lakin ‘Walls and Fields: Sean Scully’s Wall of Light Desert Day 2003’. Page 77. Fig. 14. (Colorplate) Monograph: “Sean Scully. Resistance and Persistence: Selected Writings” Merrell Publishers, London, 2006. Texts by Sean Scully, Florence Ingleby, ed. English. Page 174