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Sean Scully

Stacked Yellow Figure

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View all Paintings Previous | Next

  • Stacked Yellow Figure

    Oil on linen
    40 x 60” (101.6 x 152.4 cm)
    SSp02 132
    INV: Mooseurach Studio, Königsdorf, Germany (Hanging, Sept 2009)

    Private Collection: Sean Scully, Mooseurach, Königsdorf, Germany

  • Exhibitions

    “Sean Scully” Hotel des Arts - Centre Mediterraneen d’Art - Conseil general du Var, Toulon. 26 April - 15 June 2003., 2003

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    "Sean Scully. Painting as an imaginative world appropriation," Museum Liaunig, Neuhaus, Austria. April 25 – October 31, 2015. Curated by Peter Baum., 2015

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    “Sean Scully: Paintings and Works on Paper,” Sara Hilden Art Museum, Tampere, Finland, 13.9.2003 - 15.2.2004 (c), 2003

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    “Sean Scully Body of Light”, National Gallery of Australia, Canberra, Australia, July 23 - Oct 10, 2004 (c), 2004

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  • Literature

    Exhibition catalogue: “Sean Scully, Hotel des Arts, Toulon, France, 26 Apr - 15 June 2003, p 58 (colorplate), 86 *Note: printed upside down Monograph: “Sean Scully”, Editions Cercle d’Art, Paris, France, 2006. Edited by Philippe Monsel. French. page 6. Exhibition catalogue: Sean Scully: Body of Light. National Gallery of Australia, Jul. 23- Oct. 10, 2004. Published by National Gallery of Australia, Jan. 28, 2005. Texts by Brian Kennedy ‘Foreword’ and ‘The Art of Sean Scully: A Human Spirituality’, Jorg Zutter ‘Interview with Sean Scully’, Timo Vuorikoski ‘Sean Scully: A Feminine Macho’, Arthur C. Danto ‘Sean Scully and the Art of Painting’, Jurgen Habermas ‘A Modernism that Turned into a Tradition: Glosses and Associations’, Donald Kuspit ‘Nuance and Intensity in Sean Scully: Humanism in Abstract Disguise’, Shaune A. Lakin ‘Walls and Fields: Sean Scully’s Wall of Light Desert Day 2003’. Page 107. (Colorplate) Exhibition Catalogue: “Sean Scully” Sara Hilden Art Museum, Tampere, 2003. Texts by Timo Vuorikoski, Donald Kuspit and Jurgen Habermas. English/Finnish/German. Colorplate. Page 117. Book: “The Color of Time: The Photographs of Sean Scully”. Published by Steidl, Gottingen, 2004. Essays by Arthur C. Danto “Photographs as Pivots and Peers in the Art of Sean Scully” and Mia Fineman “Between Making and Taking: The Photographs of Sean Scully”. Interview by Edward Lucie-Smith. Pg. 8 (Colorplate)