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Sean Scully

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Union Black

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  • Union Black

    Oil on linen
    40 x 60” (101.6 x 152.4 cm)
    SSp94 16
    Kunstsammlung Nordrhein-Westfalen
    Public Collection: Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany

  • Exhibitions

    “Sean Scully”, curated by Danilo Eccher, Galleria d’Arte Moderna - Villa Delle Rose, Bologna, Italy, May 30 - September 1, 1996 (c), 1996

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    "Sean Scully: Paintings, Pastels, Watercolors, Photographs 1990-2000," Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany. March 17 – June 4, 2001; Haus der Kunst, Munich, Germany, June 14 – September 16, 2001; Institut Valencià d’Art Modern (IVAM), Valencia, Spain. January 31 – April 7, 2002. Curated by Armin Zweite., 2001

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    Sean Scully: Kunstmuseum Bern. Grey Wolf. 9th march - 24th june 2012. A Retrospective. Lentos Kunstmuseum, Linz, Austria, July 20th – October 14, 2012., 2012

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    “SEAN SCULLY: Paintings, Drawings, Photographs”, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany; Haus der Kunst, Munich, Germany; IVAM, Valencia, Spain, 2001 - 2002 traveling exhibition (c), 2001

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  • Literature

    Exhibition Catalogue: ‘Sean Scully. Retrospektive/Retrospective. Grey Wolf. Kunstmuseum Bern and Lentos Kunstmuseum Linz: Texts by Matthias Frehner ‘Grey wolf or the Spiritual in the Art of Sean Scully’. Annick Haldemann ‘Concrete Abstractions’, Brigitte Reutner ‘On the Development and Effect of Light in the work of Sean Scully’. (ENG-GER) Page 113 (colorplate) Exhibition Cat. Sean Scully. Fundacio Joan Miro: July 28th - Sept 30, 2007.Thames and Hudson, 2007.pg.70. Monograph: Carrier, David. “Sean Scully”, Thames and Hudson Ltd, London, 2004, pg. 170, 170 (colorplate) Periodical article/interview: Pérez Villén, Ángel L. “En defensa de la pintura”, LAPIZ, Nov 1997, p. 17 (colorplate) Exhibition catalogue: “Sean Scully”, curated by Danilo Eccher, Galleria d’Arte Moderna - Villa Delle Rose, Bologna, Italy, May 30 - September 1, 1996, p. 115 (BW reproduction) *incorrectly labeled as “Union White” Exhibition catalogue: Sean Scully: Body of Light. National Gallery of Australia, Jul. 23- Oct. 10, 2004. Published by National Gallery of Australia, Jan. 28, 2005. Texts by Brian Kennedy ‘Foreword’ and ‘The Art of Sean Scully: A Human Spirituality’, Jorg Zutter ‘Interview with Sean Scully’, Timo Vuorikoski ‘Sean Scully: A Feminine Macho’, Arthur C. Danto ‘Sean Scully and the Art of Painting’, Jurgen Habermas ‘A Modernism that Turned into a Tradition: Glosses and Associations’, Donald Kuspit ‘Nuance and Intensity in Sean Scully: Humanism in Abstract Disguise’, Shaune A. Lakin ‘Walls and Fields: Sean Scully’s Wall of Light Desert Day 2003’. Page 81. (Colorplate) * Year incorrectly labeled as 1994* Monograph: “Sean Scully. Resistance and Persistence: Selected Writings” Merrell Publishers, London, 2006. Texts by Sean Scully, Florence Ingleby, ed. English. Page 64. *Year incorrectly labeled as 1994. Exhibition Catalogue: “Sean Scully”, Sala de Exposiciones REKALDE, Bilbao, Spain, 1997. Texts by Francisco Jarauta, Kevin Power and Jean Louis Schefer. English/Spanish. Page 82. Exhibition Catalogue: “Sean Scully” Sara Hilden Art Museum, Tampere, 2003. Texts by Timo Vuorikoski, Donald Kuspit and Jurgen Habermas. English/Finnish/German. Colorplate. Page 76. Exhibition Catalogue: “Sean Scully” Waddington Galleries, London, UK 1995. Text by Enrique Juncosa. English. Colorplate 2. Exhibition Catalogue: “Sean Scully. Gemalde Pastelle Aquarelle Fotografien 1990-2000” Kunstsammlunch Nordhein-Westfalen / Richter Verlag, Dussledorf, Germany, 2001. Texts by Armin Zweite, Bernd Kluser, Francisco Jarauta, Hans-Michael Herzog (interview), Maria Muller. Page 129. Colorplate 21.